HM: When I first started writing the book, I had emerged from a madly busy period of making exhibitions and I was frustrated with the conventional retinal way of looking at things: eyes-forward-straight-ahead-right-now. Like dominoes. To trip up is to notice something. Atoms that collide at speed tend towards transformation, and how exciting is that?! In this profile we explore her rise to art stardom. If it did, it would still be wet by the time I’ve started getting comments about my slightly ironic review of Helen Marten’s show at the Turner Prize. Der renommierte britische Turner-Preis für moderne Kunst geht in diesem Jahr an Helen Marten. So between those two poles, there is an enormous amount of scope for reflexive play. Recorded on 24th November, 1999. Allen voran Luisa und Francesca - zwei junge Frauen, die unterschiedlicher nicht sein könnten. Auf weitere Projekte mit dem Namen „Helena Marten“ freue ich mich jetzt schon. To be off-balance or ever, HM: It will sound maddening, but I try to think. Small and slight, with short blonde hair and an all-black wardrobe, the artist Helen Marten, 28, could pass for a Left Bank heroine—perhaps Jean … With Modern Matter, the artist discusses this new extension of her practice, presented here alongside a selection of artworks inspired by the book – from Marten’s most recent show at Sadie Coles HQ, London – and an extract from the book itself. While the materials in Marten’s sculptures may look found, they are almost entirely created from scratch by the artist. Mazzy-Mae Green: In The Boiled in Between, you read the absurdities of humanity in flecks of dislodged earth and dirt-gashed shirts. Comments. Perhaps mostly for myself to short-circuit and start afresh. Then equip them with libidinal language and an ongoing system of wounding (poverty, illness, violence, etc.) The Boiled in Between is the debut novel by Turner Prize-winning artist Helen Marten, a work of fiction that will surely be acclaimed for its author’s bold and innovative geist. HM: My feeling with all these things is that perhaps there is no line. Home; Ilona “Helen” Martin Interview from 1999; Ilona Goldmann aka Helen Martin. A Transformation of Something That Could Otherwise be Very Ordinary, English artist Helen Marten uses an internal, cryptic logic to unpick the binary relationship between question and answer. London. Not like walking around it. Liebe Frau Querfurth, liebe Frau van Volxem, ich danke Ihnen – auch im Namen der Leser – von Herzn für dieses interessante Interview und den Einblick in Ihre Arbeit. – suddenly figuration is in everything so profoundly and intractably. Issues, As the story progresses, these areas seem to meld. MG: The linguistic rhythm of the book is like dreamwork: the words are soft and elegant, distorting the frictions and unpleasantness experienced by the protagonists. I do believe that provisional absurdities can provide deeply profound interpretation. MG: Contrary to your other characters, which appear to be embroiled in the mess – implicated – The Messrs. sit above the story, looking down. One of the most compelling artists to emerge out of London in the past few years is 26-year-old sculptor and video artist Helen Marten. Jahrhundert. London (dpa) - Der renommierte britische Turner-Preis für moderne Kunst geht in diesem Jahr an Helen Marten. Or to mend and shrug off the blood in continuation. –Helen Marten. Helen Marten is an artist and writer based in London, UK. She has recently had solo exhibitions at T293 Gallery, Naples, Italy, in 2010, and Johann König, Berlin, Germany, earlier this year. Jetzt hat sie den Turner-Preis erhalten. She then wads it with simulacra, showing the riddled possibilities of the endless associations between A and B, or even C and D and E. Ordinarily, she has done this through her sculptural and installation works. The Boiled in Between is published by Prototype. Traditional Teachers of English Grammar, 2012, by Helen Marten In another interview (she seems to like the form), Marten talks about how walking through a … These bigger cultural concepts – identity, economy, survival – are simply packaging for billions of smaller fractured events. Minerva the Miscarriage of the Brain, published by Sming Sming and Wolfman Books, 2020. What is this effect in your work? They are so many things: amazed conspirators; egos adjusted; staggering ghosts; feelings; admonishments. Copyright © 2021 Interview Magazine. “Helen Marten: Fixed Sky Situation” was exhibited at König Galerie, Berlin, from January 12 to February 24, 2019. Die 31-jährige Engländerin überzeugte die Jury mit Description; Identifier: 1991 OH 012 ; Date: 10/19/1990 ; Interviewer: Philpot, Edmond ; Interviewee: Martin, Helen ; Description: Martin discusses life during the Depression. Sofia Helin and Kim Bodnia chat about The Bridge on BBC Breakfast January 2014 This interview supports the scope and content of the Chicago Anti-Apartheid Movement Collection at the College Archives & Special Collections department of Columbia College Chicago. Imagine people as points of civic ordinance all mostly existing within an envelope structure of ethical morality. Die Bücher aus der Verlosung gingen bereits an Sabrina L. … ‘The world is impossibly fat and full of information. All images, Untitled, are from 2020, copyright of Helen Marten, courtesy of Sadie Coles HQ, London. Combining sculpture, text and screen-printed paintings, Marten’s practice comprises images and objects, often playing with two and three-dimensionality. Interview. “I’m Not an Assassin!”: Fran Lebowitz on Not Sleeping, Not Writing, and Not Naming Names, Elizabeth Olsen and Paul Bettany Test Their Real-Life Chemistry, Why We Could All Use a Tavi Gevinson Podcast Right About Now, Everyone, Including Fran Lebowitz, Loves Dolly Parton, Kyle Ng of Brain Dead Wants to Connect the World. Ihre Geschichte wird dabei von einer fiktiven Frauen-Person in Hosenrolle quasi als roter Faden durch den Roman getragen. I can’t help but see concept or metaphor in most things. I do believe that provisional absurdities can provide deeply profound interpretation. Where are the lines between them? Georges … Jasmine Reimer is an artist and writer living and working in Berlin and Toronto. Minerva the Miscarriage of the Brain, published by Sming Sming and Wolfman Books, 2020. It is saturated with potential signification. Helen Marten, The Boiled in Between, 2020, book cover. Helen Marten: I suppose in immodest failure the world survives, and it might be as simple as saying that this kind of noise is the rhythm that structures all bigger ideas. I suppose they are something of all people – an audience, constructed always and forever by whomever and whenever, by time and spirit. ‘A character falling poses a paradox, a confusion of figure and field…’. Think how quickly something monkish becomes pornographic by association. I wanted to brutally twist that, not make a space of indeterminate collage, but really wring material process, image digestion and language intent into something else. She graduated from the Ruskin School of Fine Art at Oxford University in 2008 and has since had several solo exhibitions, the most recent at Kunsthalle Zürich. Courtesy Sming Sming Books. fashion, If you were to conceptualise the impulses of this book, one way might be to imagine language and plot like furious animated heads engaged in the continual process of trying to drown one another, surfacing and drowning on terrible repeat. HELEN MARTEN: I want to know something about boredom or banality and maybe a little about the hallucinogenic experience that can stem from it. PANTS: MARTEN’S OWN. She studied at the University of Guelph and Emily Carr University. In short, perhaps Ethan recognises through all his relentless performance of misery and ridicule, that multiplicity is essential to understanding, that the form of words symbolises an indefinite number of diverse propositions. We explore the path of … Skye Arundhati Thomas, October 21, 2016 Culture is not Cancelled: Creatives Share Their Inspiration. Folge sprachen wir mit den Hauptdarstellern über Parkplatzsex, Schubladendenken und die in 2016 verstorbene Maja Maranow. These portmanteaus and locutionary couplings stimulate the mind’s tongue. Even garbage is alluring because it informs us of human systems. Helen Marten wins Turner Prize | Helen Marten has been awarded this year’s Turner Prize, overcoming stiff competition in what many critics judged to be the award’s strongest shortlist in years. It seems that everyone wants a piece of her these days. THE SUMMER HELEN MARTEN MET HAIM STEINBACH was the summer the cicadas returned to New York, emerging from a seventeen-year slumber deep inside the earth. Helen Marten: I suppose in immodest failure the world survives, and it might be as simple as saying that this kind of noise is the rhythm that structures all bigger ideas. Art, Helen Highly Expands the Correlations. COAT: EMPORIO ARMANI. They are always changing. Take the disarming mutant vacation sculpture No juice about it (2011): The piece consists of a grid of bamboo fencing, which is actually made of steel, on which a patchwork quilt and a lei are strung, and in front of which a clay-looking pineapple, actually fashioned from cast aluminum, is coyly humanized by wearing a pair of Oakley sunglasses. She is currently working on a novel. Marten’s pieces have roved from incorporating wall paper to cell phones, industrial hardware, neon light, and, of course, animation-perhaps the ultimate art form for the convergence of the unreal with the almost human. PANTS: MARTEN’S OWN. Her first solo show in Britain was in 2012, at the Chisenhale in London, the seeding ground of bright young artists. Die Akteure werden von Helena Marten lebendig und bildhaft dargestellt. Helen Marten is having quite a year and, indeed, quite a career. Artist Helen Marten, who also appears in this issue’s portfolio of London artists, spoke with Wolfson about his videos and what he’s trying to achieve somewhere in the flurry of it all.-Christopher Bollen. The titles of Helen Marten’s sculptures have long suggested a literary mind at work: Puddlefoot, digging, Limpet Apology (traffic tenses), Brood and Bitter Pass (all 2015). She studied at the University of Guelph and Emily Carr University. Helen Marten works across sculpture, painting and writing to create a body of work that questions the stability of the material world and our place within it. Protest in any form visualizes conditions of precarity: in art, in language, in action, in metaphor – it’s as vitalas blood. Die 30-Jährige fertigt Skulpturen aus alltäglichen Gegenständen an. Forthcoming solo exhibitions include: Stedelijk Museum, Amsterdam, the Netherlands (2018); König Galerie, Berlin, Germany (2018); and Castello di Rivoli, Turin (2019). https://www.monopol-magazin.de/helen-marten-gewinnt-turner-prize video, The Boiled in Between: In Conversation with Helen Marten, 23.10.20 | Article by Mazzy-Mae Green; extract and image selection by Helen Marten | Art, culture, interview. Her first solo show in Britain was in 2012, at the Chisenhale in London, … They’re all like their own micro-surfaces that give and receive, are improvised, unmoored. SWEATSHIRT: TOPSHOP. Die britische Künstlerin Helen Marten erhält den renommierten britischen Turner-Preis. A character falling poses a paradox, a confusion of figure and field: falling as controlled comedic clatter or falling as unspooling psychological health. They are in and of many of the things they discuss: wind, weather, animal, blood. 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