The opening for "The Grid" begins with slow sustained notes on brass instruments. The sequence ends with footage of the destruction of large buildings. Koyaanisqatsi (1982) directed by Godfrey Reggio with music by Philip Glass. A pioneering art film of the late 20th Century. The film's initial limited release began in San Francisco at the Castro Theatre on April 27, 1983. The film, in slow motion, then shows several people reacting to being candidly filmed on the street. I just shot the form of things. 04, Stephen King: Werwolf von Tarker-Mills [Blu-ray], Killer Klowns (Remastered Mediabook, 1 Blu-ray + 1 DVD + 1 Bonus-DVD). Januar 2021, Einwandfreies Produkt, problemfreier Sendevorgang, Rezension aus Deutschland vom 8. 8 Personen fanden diese Informationen hilfreich, Rezension aus Deutschland vom 18. Hinzufügen war nicht erfolgreich. The camera follows a flaming rocket engine and a white vapor trail or smoke against a blue sky as the debris plummets toward the ground. The musical score was composed by Philip Glass. This is followed by shots of power lines in the desert. Product Description. September 1982 am Telluride Film Festival aufgeführt und erschien 1983 in den Kinos. "[3] In the Hopi language, the word Koyaanisqatsi means "life out of balance". [15], The IRE was continuously receiving funding and wanted to continue the project in 1976, using 35 mm film. Zugelassene Drittanbieter verwenden diese Tools auch in Verbindung mit der Anzeige von Werbung durch uns. The LP release of the Glass score was released in the 1980s in a severely … Following the atomic bomb detonations, the next sequence begins with a shot of sunbathers on a beach, then pans to the San Onofre Nuclear Generating Station in the background. [17] Most time-lapse shots were filmed at a frame rate of 1½ frames per second. Bitte versuchen Sie es erneut. Januar 2021, Rezension aus Deutschland vom 28. KOYAANISQATSI, Reggio's debut as a film director and producer, is the first film of the QATSI trilogy. Fricke and his focus puller, Robert Hill, filmed at the airport every day for two weeks. Wählen Sie eine Sprache für Ihren Einkauf. With Edward Asner, Pat Benatar, Jerry Brown, Johnny Carson. From there, it progresses to footage of various natural phenomena such as waves and clouds. The album was released as a Philip Glass album titled Koyaanisqatsi, rather than a soundtrack to the film. A visually poetic mediation on the toll that modern technology is having on humans and the earth. FSK 6. Godfrey Reggio legt Teil eins seiner beeindruckenden "Qatsi"-Trilogie ("Powaqqatsi" 1986, "Naqoyqatsi" 2002) vor. Gratis-Lieferung für Ihre erste Bestellung, Vorherige Seite verwandter Gesponserter Produkte, Nächste Seite verwandter Gesponserter Produkte, Deutsch, Italienisch, Spanisch, Niederländisch, Ungarisch, Griechisch, Türkisch, Rezension aus Deutschland vom 16. It was all the same from my standpoint. [17] Stattdessen betrachtet unser System Faktoren wie die Aktualität einer Rezension und ob der Rezensent den Artikel bei Amazon gekauft hat. There is a deeper message here heralded by all its glorious facets. Koyaanisqatsi attempts to reveal the beauty of the beast! Accessibility Help . Rezension aus dem Vereinigten Königreich vom 4. Zivilisationskritik, kunstvoll transportiert in einer Aufsehen erregenden Dokumentation. Naqoyqatsi was completed after a lengthy delay caused by funding problems and premiered in the United States on October 18, 2002. It's been that everyone: politics, education, things of the financial structure, the nation state structure, language, the culture, religion, all of that exists within the host of technology. Wonderfully packaged by director Godfrey Reggio with a mesmerising score from Philip Glass, Koyaanisqatsi was quite revolutionary for its time. The first theatrical run featured four-track Dolby Stereo sound, while later runs featured monaural sound. Press alt + / to open this menu. Philip glass koyaanisqatsi - Der Favorit der Redaktion In den folgenden Produkten sehen Sie als Kunde die absolute Top-Auswahl von Philip glass koyaanisqatsi, wobei Platz 1 unseren TOP-Favorit darstellt. [47] Czech pedagogue Rudolf Adler, in his textbook for film educators, describes Koyaanisqatsi as "formulated with absolute precision and congenial expression."[48]:60. Oktober 2019, Rezension aus dem Vereinigten Königreich vom 27. 80er Jahre Trip durch unsere verrückte Welt ... Rezension aus Deutschland vom 19. ", "Near the day of Purification, there will be cobwebs spun back and forth in the sky. Es sind beeindruckende Bilder, die man dort zu sehen bekommt. The website's critical consensus reads "Koyaanisqatsi combines striking visuals and a brilliant score to produce a viewing experience that manages to be formally daring as well as purely entertaining. The section shown depicts several tall, shadowed figures standing near a taller figure adorned with a crown. [4], The film is the first in the Qatsi film trilogy: it is succeeded by Powaqqatsi (1988) and Naqoyqatsi (2002). The unedited footage was screened in Santa Fe, New Mexico, but Fricke said it was "boring as hell" and there were "not that many good shots". The Philip Glass score is wonderful and highly appropriate (I enjoyed his music in this setting far more than I ever did on its own), and the time-lapse sequences, particularly toward the end, are dizzying and bewildering. [11] But after the campaign ended, the ACLU eventually withdrew its sponsorship, and the IRE unsuccessfully attempted to raise millions of dollars at a fundraiser in Washington, D.C. Wieviel Zeit bleibt uns? The television advertisements aired during prime-time programming and became so popular that viewers would call the television stations to learn when the next advertisement would be aired. The footage was processed with a special chemical to enhance the film's shadows and details, as all footage was shot only with existing lighting. See more of Philip Glass on Facebook. The film's cinematographer Ron Fricke went on to direct Baraka, a pure cinema movie that is often compared to Koyaanisqatsi. The next image is a close-up of a Saturn V rocket during its launch (Apollo 11). Trailer. [17], In addition to footage shot by Fricke, some of the footage of people and traffic in New York City was shot by cinematographer Hilary Harris. After aerial views of monumental rock formations partly drowned by the artificial Lake Powell, we see a large mining truck causing billows of black dust. [17] The time-lapse shot overlooking the freeway in Los Angeles was filmed from the top of a building through a double exposure, with ten-second delay between frames. Academy Award®-nominated director Scott Hicks ("Shine") documents an eventful year in the career and personal life of distinguished Western classical composer Philip Glass as he interacts with a number of friends and collaborators, who include Chuck Close, Ravi Shankar, and Martin Scorsese. Eine Montage von Bildern unberührter Natur und von Stadtlandschaften, unterlegt mit stimmungsvoller Musik. The film's soundtrack by Philip Glass was released in 1983, after the release of the film. USA 1983. 90626-1; Vinyl LP). The system was powered by a gel cell battery that lasted for twelve hours, which enabled Fricke to shoot without the use of a generator. Koyaanisqatsi is followed by the sequels Powaqqatsi and Naqoyqatsi and the shorts Anima Mundi and Evidence. "[11] To produce the television commercials the IRE hired cinematographer Ron Fricke, who worked on the project for two years. The music has become so popular that the Philip Glass Ensemble has toured the world, playing the music for Koyaanisqatsi live in front of the movie screen. Create New Account. Released in 1983 on Antilles (catalog no. The film shows the movement of cars, shopping carts, and televisions on an assembly line, and elevators moving from first-person perspective. With English titles and Hopi lyrics. Ihre zuletzt angesehenen Artikel und besonderen Empfehlungen. Unser Testerteam wünscht Ihnen zu Hause nun eine Menge Erfolg mit Ihrem Philip glass koyaanisqatsi! Bitte versuchen Sie es erneut. Three Hopi prophecies sung by a choral ensemble during the latter part of the "Prophecies" movement are translated just prior to the end credits: During the end titles, the film gives Jacques Ellul, Ivan Illich, David Monongye, Guy Debord, and Leopold Kohr credit for inspiration. See more of Philip Glass on Facebook. Entdecken Sie jetzt alle Amazon Prime-Vorteile. In 1998, Glass rerecorded the album through Nonesuch Records with a length of 73 minutes, 21 seconds. 3 Personen fanden diese Informationen hilfreich, Rezension aus dem Vereinigten Königreich vom 29. The highs and lows of Glass’ score is perfect as he experiments with the sound in glorious tandem with the magnificent visuals. [12] Reggio later chose to shoot in Los Angeles and New York City. Upon viewing the footage, Reggio decided to devote an entire section of the film to portraits. Koyaanisqatsi - Life out of Balance - music by Phillip Glass. People walking by started posing for the camera, thinking it was a still camera, and several shots from the setup ended up in the film. für den film an sich wären fünf sterne noch zu wenig. Amazon.de. The frenetic speed and pace of the cuts and music do not slow as shots of modern leisure are shown. The title is a Hopi Indian word meaning “life out of balance.” Created between 1975 and 1982, the film is an apocalyptic vision of the collision of two different worlds — urban life and technology versus the environment. Man's continued involvement in the environment is depicted through images of mining operations, oil fields, the Navajo Generating Station, the Glen Canyon Dam, and atomic bomb detonations in a desert. [13][14] Footage of the Pruitt–Igoe housing project was shot from a helicopter, and Fricke nearly passed out during filming, having never flown in a helicopter before. [41] Unlike the IRE release, which featured the film in the open matte format in which it was filmed, the MGM release was cropped into a widescreen aspect as it originally was presented in theaters. [19] Footage filmed by cinematographer Louis Schwartzberg was added into the cloud sequence, and additional stock footage was provided by MacGillivray Freeman Films. While Fricke was working in Los Angeles, he edited the footage into a 20-minute reel, but "without regard for message or political content". Ha ha ha. Unterstützt von der magischen Musik von Philip Glass ist gerade dies enorm vielsagend. Before shooting The Outsiders (1983) and Rumble Fish (1983), Coppola requested to see Koyaanisqatsi, and Reggio arranged a private screening shortly after its completion. Time-lapse photography of shadows of clouds are seen moving across the skyscrapers. The next shots are closer shots of cars on a highway. Ten minutes in, I remembered Philip Glass did the score so I knew I had to restart it and watch it properly. The scene with the Boeing 747 on the runway was filmed at Los Angeles International Airport, and was the longest continuous shot in the film. CAST: b trb, tuba, 2 hn, 3 trp, vox (6), fl, sop sax, ten sax, organ, cb, pic, va, vc. For the time-lapse footage, Fricke purchased a Mitchell camera,[16] and built a motor with an intervalometer, which was used to precisely move the camera between frames. Prime-Mitglieder genießen Zugang zu schnellem und kostenlosem Versand, tausenden Filmen und Serienepisoden mit Prime Video und vielen weiteren exklusiven Vorteilen. United States, 1982. Momentanes Problem beim Laden dieses Menüs. In mid-October, Koyaanisqatsi was released onto 40 to 50 screens throughout the country. Glass was one of the first composers to employ minimalism in film scoring, paving the way for many future composers of that style. Februar 2010. Dieser Artikel kann nicht an den von Ihnen ausgewählten Lieferort versendet werden. Ivan Illich, auf den sich das Werk bezieht, plädierte für einen ethischen statt technischen Maßstab des Lebens. Accompanied by a haunting score from Philip Glass. Mesmerising film. Why 1982 Experimental Documentary "Koyaanisqatsi" Is Still A Must-See In This Time Of Climate Change... Jump to. [18] To keep the shot of the 747 within the frame, the camera was slowly moved by increasing the voltage to the gear motors. or. Synopsis. Think of it this way: You can listen to the music without the film, but you'd never watch the film without the music. Untertitel: D/F/I/Sp u.a. [23] Coppola also decided to introduce and end the film with footage of pictographs from the Great Gallery at Horseshoe Canyon in Utah after visiting the site and becoming fascinated by the ancient sandstone murals.[24]. "[46] In 1983, the film was entered into the 33rd Berlin International Film Festival. In the score by Philip Glass, the word "Koyaanisqatsi" is chanted at the beginning and end of the film in an "otherworldly"[33] dark, sepulchral basso profondo by singer Albert de Ruiter over a solemn, four-bar organ-passacaglia bassline. Geben Sie es weiter, tauschen Sie es ein, © 1998-2020, Amazon.com, Inc. oder Tochtergesellschaften, Übersetzen Sie alle Bewertungen auf Deutsch, Lieferung verfolgen oder Bestellung anzeigen, Recycling (einschließlich Entsorgung von Elektro- & Elektronikaltgeräten). Dokumentation von Godfrey Reggio. … 1982 film by Godfrey Reggio and Philip Glass. The camera stays on them until the moment when they acknowledge its presence by looking directly at it. Koyaanisqatsi, a classical music Album by Philip Glass. Editing suggests that there is only one rocket, while in fact two different events were used: The first batch of footage shows a Saturn V lifting off (Apollo 11), followed by footage of the May 1962 explosion of the first Atlas-Centaur. [42], On January 13, 2012, a Blu-ray version (screen ratio 16:9) was released in Germany. The next sequence begins with shots of buildings and a shot of a sunset reflected in the glass of a skyscraper. 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